Perhaps among the most beautiful targets to image in our night sky. There are no less than five reflection nebulae in the photograph. They are contrasted by large areas of ionized hydrogen showing as red in the image.
IC 2169, popularly known as Dreyer’s Nebula, is a large blue reflection nebula located in the constellation Monoceros (the Unicorn). It is a primary feature of the Monoceros R1 complex. This is a region of active star formation situated approximately 2,500 to 2,700 light-years away from Earth. It’s in a massive starfield!
The nebula has a distinctive blue hue. This color occurs as interstellar dust particles scatter blue light from nearby hot, young stars. It is primarily illuminated by the massive B-type stars of the young open cluster Collinder 95. Some sources also associate its glow with the variable star T Orionis or the star HD 45677.
The Nebula is often referred to as Dreyer’s Nebula. This name honors John Dreyer, who compiled the NGC and IC catalogs. However, it was actually discovered by Barnard. The nebula is also designated as IC 447. This duplication exists because it was recorded twice in the Index Catalogue (IC) due to separate observations by Edward Barnard. It is located about 2 degrees west of the more famous Cone Nebula and the Christmas Tree Cluster (NGC 2264). It is often imaged alongside smaller reflection nebulae such as IC 446, NGC 2245, and NGC 2247.
I took this photograph from my driveway in the foothills of the Blue Ridge Mountains in western North Carolina. Here, I enjoy a bortle 4/5 sky. Continued development pushes it ever closer to a 5. Imaged with a Skywatcher Esprit 120ED telescope at 840mm focal length and a ZWO ASI2600MC camera cooled to 14f. These are mounted on a Skywatcher Eq6r Pro equatorial mount. It runs EQMOD and guides via PHD2. This is done through a ZWO OAG and an ASI290mm mini guide camera.
Component control is done by APT. Session automation and image acquisition are also managed by APT. These are the magic dust in getting the 143 5 minute subframes. The subframes were manually calibrated, debayered, aligned, integrated, and processed to the targets natural colors using PixInsight.
